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Hoppas det finns intresse för att veta vad som släpps som nytt på LP? Lite kul om inte annat att läsa om artisterna och de olika skivorna ur kulturell mening.

EARTH, WIND & FIRE - I AM

LP Cat No: MOVLP092 Barcode: 0886976994310



Earth, Wind & Fire, the R&B-Pop-Soul band from Chicago, have produced quite a number of hits during
the 1970’s and early 1980’s. The biggest hits were “September”, “Boogie Wonderland”, “After the Love
Has Gone”, “Let’s Groove”, and “Fantasy”.
“I Am”, originally released in 1979, features “Boogie Wonderland” (featuring the vocals of The Emotions),
which became one of the most popular disco and cross-over hits of that time and ballad “After the Love
Has Gone”. Affraid to be labeled Discoband, Verdine White stated “we might have partied, but we didn’t
dance!”.
Having sold over 90 million albums worldwide and winning 6 Grammy Awards, the band is ranked on the
list of best-selling music artists. Main musical elements of Earth, Wind & Fire, led by founder Maurice
White, are African and Latin American influences mixed with funk, soul & pop with hints of rock and jazz.
“I Am” is a good testimony to the solid combination of the band’s vocal strength and instrumental
backup!

Pressed on 180 grams Audiophile Vinyl

Side A
01 In The Stone
02 Can't Let Go
03 After The Love Has Gone
04 Let Your Feelings Show

Side B
01 Boogie Wonderland (with The Emotions)
02 Star
03 Wait
04 Rock That!
05 You And I
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JEFF BUCKLEY - “SKETCHES FOR MY SWEETHEART THE DRUNK”

3LP Cat No: MOVLP061 Barcode: 0886976389314



“Sketches for My Sweetheart the Drunk” is the
collection of studio tracks and four-track demos
recorded by Jeff Buckley in the summer of 1996
and early 1997.

Buckley had been working on an album to be called
“My Sweetheart, the Drunk”, but the album had
yet to be finished at the time of his death. It was
released posthumously in May 1998. Given the raw
and somewhat unfinished nature of the songs, the
collection that was released was called “Sketches
for My Sweetheart the Drunk”.

The album's original sessions were produced by
Television frontman Tom Verlaine. Despite its
unfinished state, the album received many positive
reviews. After the audiophile releases of "Grace" ,
"The Grace EP´s" and "Mystery White Boy", this
release on Music on Vinyl completes the series of
available Jeff Buckley studio material.

This 3LP audiophile set is housed in a firm
5mm sleeve. 180 grams audiophile vinyl

LP1 - Side A
01 The Sky Is A Landfill
02 Everybody Here Wants You
03 Opened Once
04 Nightmares By The Sea

LP1 - Side B
01 Yard Of Blonde Girls
02 Witches' Rave
03 New Year's Prayer

LP2 - Side A
01 Morning Theft
02 Vancouver
03 You & I

LP2 - Side B
01 Nightmares By The Sea
02 New Year's Prayer
03 Haven't You Heard
04 I Know We Could Be So Happy Baby
(If We Wanted To Be)

LP3 - Side A
01 Murder Suicide Meteor Slave
02 Back In N.Y.C.
03 Gunshot Glitter

LP3 - Side B
01 Demon John
02 Your Flesh Is So Nice
03 Jewel Box
04 Satisfied Mind
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OPETH - “BLACKWATER PARK” 2LP + DVD

Cat No: MOVLP084 Barcode: 0886976943110



Generally hailed as OPETH’ opus magnum, “Blackwater Park” (2001) has proven to be a
transitional album for the band. While its earlier albums bring extreme and epic metal, later
albums are leaning heavily towards mid-seventies progressive rock. “Blackwater Park” brings
you the best of both, with tons of huge metal riffing, pre-metal proggy hooks and dark lyrical
topics. In this new direction, OPETH sounds remarkably fresh and convincing on each lengthy
track, fully exploring and captivating. No less today than at the time of the original release!

Accompanying the 2010 Legacy CD/DVD Edition of the album, Music on Vinyl will issue the
album as an Expanded Audiophile Edition.

• Double audiophile 180 grams vinyl in gatefold sleeve
• Bonustrack: “ THE LEPER AFFINITY (Live)”
• 8-page booklet with new artwork and liner notes by Mikael Åkerfeldt
• Bonus DVD with a 5.0 mix of the album + 30 min. ‘Making of the Album’ documentary.

LP1 ‐ Side A
01 THE LEPER AFFINITY
02 BLEAK

LP1 ‐ Side B
01 HARVEST
02 THE DRAPERY FALLS

LP2 ‐ Side A
01 DIRGE FOR NOVEMBER
02 THE FUNERAL PORTRAIT
03 PATTERNS IN THE IVY

LP2 ‐ Side B
01 BLACKWATER PARK
02 THE LEPER AFFINITY (Live)
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PRINCE NICO MBARGA & ROCAFIL JAZZ INTERNATIONAL - “Cool Money”



Format: LP
Cat. No.: MJJLP305 / B. G82113
Barcode: 0889397830519

Prince Nico Mbarga (1950–1997) was a half-Cameroonian
Nigerian highlife vocalist and guitarist whose music played a
significant role in the evolution of African pop music. His 1976 hit
song “Sweet Mother” (which sold more than 13 million copies) is
so popular that is sometimes called “Africa's anthem”, no small
feat for a continent with such a rich musical tradition! Like many,
Prince Nico began playing with a hotel band in 1970, and by1973
had his first local hit. Cool Money is a rare 1979 album, originally
released on the Nigerian RAS (Roger's All Stars) label, when the artist was at the height of his
success. Prince Nico was unfortunately killed in 1997 in a motorcycle accident, which of course,
has only added to his legend.

Side A: 1. Cool Money 2. Another Woman's Husband Side B: 1. Impossible 2. Afufu Uwa
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Chuck Prophet - “Let Freedom Ring!”



DIV 021 LP / B. G81821
5060187000113
Single 180gLP/ 300g gloss sleeve

Mastered at Abbey Road Studios by Geoff Pesche
Players:
Chuck Prophet with:
Ernest “Boom” Carter - drums
Tom Ayres - guitar
Rusty Miller - bass
Featuring: Greg Leisz (guitars), Stephie Finch, Kelley Stoltz, Rusty, AKA “The Dream Team” on vocals, Kevin T
White (bass on “Hot Talk”), James DePrato (guitar on “¡Let Freedom Ring!”) Sara Watkins (fiddle and harmony on
“What Can A Mother Do” and fiddle on “Hot Talk”)—courtesy of Nonesuch Records.

Prophet started his wild ride back in 1984, when Green on Red, the
seminal purveyors of American Rock-Roots, plucked him out of
Berkeley, CA and threw him in the van for an eight-year ride, and the
recording of as many albums. Since then Prophet has recorded nine
amazing solo albums and toured and recorded with the likes of
Lucinda Williams, Aimee Mann, Cake, and Jonathan Richman, not to
mention production credits for Warren Zevon, Alejandro Escovedo
and Kelly Willis. Ryan Adams, Solomon Burke and Heart have
recorded his songs, along with a host of others. Prophet has never
been one to rest on his laurels and ride it out.
For his ninth solo album “Let Freedom Ring”, Chuck reached out to
some musicians and talked them into going down to Mexico City, The
Biggest City in the World (pop. 25 million). Recorded at Estudio 19, a
state-ofthe- art studio (well, circa 1958 state-of-the-art anyway) with
Greg Leisz (Beck, Wilco, Emmylou Harris) coproducing.
Within three days of arriving swine flu broke out and the indignity of
having to wear blue surgical masks just to fit in.
Over the course of the next eight days, the band set about recording
¡Let Freedom Ring!, enduring a poorly timed blackout, shakedowns
by the Policia, and a 6.4 earthquake mid-take - Mexico City might only
be 4 hours away by plane but it might as well have been on the other
side of the moon. But whilst mayhem ensued, the band buckled down
to the task in hand, all set up together in a tight little bamboo lined
room with the amps cranked. Chuck played his Fender Squire, Kelly
Stoltz on backing vocals, Rusty Miller (Jason Lyte‟s band) played
bass while Drummer Ernest "Boom" Carter turned his sticks into
kindling. Carter played on Springsteen‟s “Born To Run” - he promptly
quit the E Street Band after they spent 6 months recording it. The
results can be heard from the Clash inspired opener to the power pop
of „Let Freedom Ring‟ and the Eddie Cochran infused „Good Time
Crowd‟.

Tracklisting :
01. Sonny Liston's Blues
02. What Can A Mother Do
03. Where The Hell Is Henry?
04. iLet Freedom Ring!
05. You And Me Baby (Holding On)
06. American Man
07. Barely Exist
08. Hot Talk
09. Love Won't Keep Us Apart
10. Good Time Crowd
11. Leave The Window Open
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ROBERT WILKINS - “That's No Way To Get Along”



Format: LP
Cat. No.: MKLP324 / B. G82470
Barcode: 0889397453244

Seminal American blues guitarist and vocalist Robert Wilkins (1896-1987) played on the
Memphis blues scene at the same time as Furry Lewis, Son House, Charley Patton and Memphis
Minnie, and was versatile in a range of styles, including ragtime, blues, minstrel and gospel.
These recordings cover his early years as a recording artist, from his debut recording session for
Victor in 1928, which yielded the famous “Rolling Stone”, plus three more tracks, followed by 8
more tracks recorded for Vocalion in 1929-30, which included the legendary “That's No Way To
Get Along / aka “Prodigal Son” (famously covered by the Rolling Stones). The final 5 tracks were
recorded in Jackson, Miss. in 1935 and feature a second guitar player and a spoons player,
resulting in the production of another classic, “Old Jim Canan's”. In 1935 Wilkins left secular
music altogether, becoming an ordained minister and herbalist. He was, however, rediscovered in
the 1960s during the blues revival and played various festivals during this time, including
Newport.

Side A: 1. Rolling Stone, Pt. 1 (Memphis, Tenn., 7 Sept 1928) 2. Rolling Stone, Pt. 2 (Memphis, Tenn., 7 Sept 1928) 3.
Jail House Blues (Memphis, Tenn., 8 Sept 1928) 4. I Do Blues (Memphis, Tenn., 8 Sept 1928) 5. That’s No Way to
Get Along (Peabody Hotel, Memphis, Tenn., c. 23 Sept 1929) 6. Alabama Blues (Peabody Hotel, Memphis, Tenn., c.
23 Sept 1929) 7. Long Train Blues (Peabody Hotel, Memphis, Tenn., c. 23 Sept 1929) 8. Falling Down Blues
(Peabody Hotel, Memphis, Tenn., c. 23 Sept 1929)

Side B: 1. Nashville Stonewall Blues (Memphis, Tenn., c. Feb. 1930) 2. Police Sergeant Blues (Memphis, Tenn., c.
Feb. 1930) 3. Get Away Blues (Memphis, Tenn., c. Feb. 1930) I’ll Go With Her Blues (Memphis, Tenn., c. Feb.
1930)Â 5. Dirty Deal Blues (Jackson, Miss., 10 Oct 1935) 6. Black Rat Blues (Jackson, Miss., 10 Oct 1935) 7. New
Stock Yard Blues (Jackson, Miss., 10 Oct 1935) 8. Old Jim Canan’s (Jackson, Miss., 12 Oct 1935) 9. Losin’ Out Blues
(Jackson, Miss., 12 Oct 1935)
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SLEEPY JOHN ESTES - “I Ain't Gonna Be Worried No More”



Format: 2LP
Cat. No.: MKDLP325 / B. G82474
Barcode: 8013252453250

A 24-song retrospective recorded between 1929-1937 in Memphis, Chicago and NYC, when
Tennessee native, Sleepy John Estes was at the height of his abilities. Despite the fact that Estes
wasn't the fastest or most technical blues guitarists out there, his distinct and emotional vocals,
and uniquely relaxed style more than compensates for this, making him one of the genre's true
geniuses. Estes, in fact, perhaps because he wasn't a guitar virtuoso, usually preferred to play in
a group setting, and on these recordings he is often accompanied by great players like “Yank”
Rachell on mandolin or Hammie Nixon on harmonica. He is also frequently accompanied by
piano and sometimes second guitar. Estes is also well known for his lyrics which talked about
places and people he know. I Ain't Gonna Be Worried No More contains all of his best songs,
including blues favorites like “The Girl I Love, She Got Long Curly Hair” (covered by Led
Zeppelin), “Drop Down Mama”, “Milk Cow Blues” (covered by The Kinks), and “Someday Baby
Blues” (covered by Muddy Waters, Bob Dylan).

Side A: 1. The Girl I Love, She Got Long Curly Hair (Memphis, 1929) 2. Broken Hearted, Ragged and Dirty Too
(Memphis, 1929) 3. Divin’ Duck Blues (Memphis, 1929) 4. Little Sarah (Memphis, 1929) 5. Black Mattie Blues
(Memphis, 1929) 6. T-Bone Steak Blues (Memphis, 1929)

Side B: Milk Cow Blues (Memphis, 1930) 2. Street Car Blues (Memphis, 1930) 3. Expressman Blues (Memphis,
1930) 4. Whatcha Doin’? (Memphis, 1930) 5. Poor John Blues (Memphis, 1930) 6. Stack o’ Dollars (Memphis, 1930)

Side C: 1. My Black Gal Blues (Memphis, 1930) 2. Sweet Mama (Memphis, 1930) 3. Down South Blues (Chicago,
1935) 4. Stop That Thing (Chicago, 1935) 5. Someday Baby Blues (Chicago, 1935) 6. Who’s Been Telling You Buddy
Brown Blues (Chicago, 1935)

Side D: 1. Married Woman Blues (Chicago, 1935) 2. Drop Down Mama (Chicago, 1935) 3. Government Money
(NYC, 1937) 4. I Wanta Tear It All the Time (NYC, 1937) 5. Vernita Blues (NYC, 1937) 6. I Ain’t Gonna Be Worried
No More (NYC, 1937)

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HERMAN BROOD - “STREET”



LP Cat No: MOVLP089 Barcode: 0886976956219

Herman Brood may be the only real Dutch example of the Sex, Drugs en Rock & Roll lifestyle.
He had his share of club-gigs and Rock & Roll before he started his own band. As a young
Herman he played with Dutch Blues-masters Cuby & The Blizzards (late 60’s), the bands Stud,
Flash & Dance Band (with Jan Akkerman) and Vitesse. After a short reunion of Cuby & The
Blizzards (mid 70’s) he started his own Herman Brood & His Wild Romance.

Raw, unadulterated Rock & Roll from the Lowlands, with international appeal! ’77 was the year
their debut LP “Street” saw the light (after which “Sphritz” followed, which contained the
international hit ‘Saturday Night’).

“Street” is a classic Dutch album and will be released on 180 grams audiophile vinyl with flashy
gatefold sleeve and remastered audio!

• 180 grams audiophile vinyl
• Remastered Audio
• Gatefold Sleeve

LP1 ‐ Side A
01 Street
02 Turn It On
03 Syrup
04 Back In Your Love
05 Crocodile (The Penthouse)

LP1 ‐ Side B
01 Pop It
02 Romanza Di Cavalli
03 Spine Pain
04 One More Dose (Lonely Pain Part 2) (Live)
05 Feels Like Love
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DEPHAZZ - “LALA 2.0”



BARCODE : 4260082360478
SUFFIX : PHAZZ 047

“LaLa 2.0” is the 8th DE PHAZZ album to date,
showcasing a vast amount of international
vocalists stemming from the ever expanding
musical universe of one of the best selling
lounge outfits out there. Of course there’s
Pat Appleton (GER) and Karl Frierson (USA),
alongside Barbara Lahr (GER), Marnie Mans
(CAN), Angel Jones (USA), Sandie Wollasch
(GER), and Charity Sanders (USA) – and they
all contribute to a data carrier way beyond
the ordinary...

“Lala 2.0” is wood from the roots, shaped on
the scanner. Well computed terrestial heat.
it’s “soul” ripped to pieces, then put together
again in a different way... contemporary
organic digitalism. Word up!

1. Just a file
2. No story
3. No lie
4. Duck & Cover
5. Uppercut
6. When no words come
7. Slums of Monte Carlo
8. Jazz is the move
9. In my power
10. Chez Clerambault
11. Rat Pack
12. Cloudspotting
13. Walk with love
14. Hot little harp
15. Fear is my business
16. Back from where I started

Provlyssna här: http://dephazz.de/
Transient Design
Det är tillåtet att kommentera... icon_smile_wink.gif

Mvh Lasse
Transient Design
PAVLOV’S DOG - “PAMPERED MENIAL”

LP Cat No:MOVLP093 Barcode: 0886976995218



Pavlov’s Dog, the 70’s AOR / Prog-rock band, was an odd crew. The band combined guitar,
keyboards, percussion and bass with mellotrons, flutes and violins. On top of that, singer David
Surkamp’s voice has one of those ‘hate it or love it’ voices that’s reminiscent of Rush- frontman
Geddy Lee’s vocal range.

“Pampered Menial” was Pavlov's Dog first album, originally released on ABC Dunhill and rereleased
on Columbia in 1974. At the time the band was signed, they received a $600,000
advance from ABC which was a record advance for any new group signed at that time.
The songs "Julia" and "Theme From Subway Sue" received the most airplay.

“Pampered Menial” is a crossover album combining 70's hard rock and progressive rock and is
strongly recommended to fans of either of those genres. We’re pleased to release this long-lost
gem in original gatefold sleeve, this time on 180 grams audiophile vinyl!

• 180 grams audiophile vinyl
• Gatefold sleeve

LP1 - Side A
01 Julia
02 Late November
03 Song Dance
04 Fast Gun
05 Natchez Trace

LP1 - Side B
01 Theme From Subway Sue
02 Episode
03 Preludin
04 Of Once And Future Kings
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LEFTFIELD - “RHYTHM AND STEALTH”

2LP Cat No:MOVLP098 Barcode:0886976991111



After Leftfield’s debut album ”Leftism”, which was released in 1995 (and now available as
MOVLP044), it took 4 years for the London-based producers duo to release the sequel.
Sounding completely different than the first album, “Rhythm and Stealth” was worth waiting
for. It sounds more diverse and solid than its predecessor and contains exciting collaborations
with Roots Manuva on the track “Dusted” and Hip Hop pioneer Afrika Bambaataa on the dance
floor killer “Afrika Shox”, which was accompanied by a state-of-the-art and shocking video.
“Rhythm and Stealth” is a great excursion into many different styles; it moves from funk to hip
hop to techno to electro, to ambient and dub, but still sounds cohesive.

You might even recognize some of the tracks from the movies. “Swords” was featured in the
1999 movie “Go” and “Afrika Shox” can be heard in the box office success movie Vanilla Sky,
starring Tom Cruise and Penelope Cruz.

LP1 ‐ Side A
01 Dusted
02 Phat Planet

LP1 ‐ Side B
01 Chant of a Poor Man
02 Double Flash
03 El Cid

LP2 ‐ Side A
01 Afrika Shox
02 Dub Gussett

LP2 ‐ Side B
01 Swords
02 6/8 War
03 Rino's Prayer
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CANNONBALL ADDERLEY WITH MILT JACKSON - “Things Are Getting Better”

Format: 180 gram LP Cat. No.: DOXLP834 / B.G84957 Barcode: 8013252888342



All-star session recorded in NYC in the autumn of 1958, led by Cannonball Adderley on alto sax, and Milt Jackson on vibes. The rhythm section is also no less noteworthy with Wynton Kelly on piano, Percy Heath on bass and Art Blakey on drums. This date represents an interesting and successful juxtaposition of the two sides of jazz at the time, with Adderley coming from the more improvisational and swinging side of downtown jazz and Jackson coming from the more cerebral side of jazz as 'high art'. But despite hailing from different sides of the scene, both men are considered venerable “practitioners of the blues” and this is perhaps the tie that binds these men together on this memorable date. The group plays a range of tunes including two of Adderley's own compositions: the title track “Things Are Getting Better” and “Sounds For Sid” (dedicated to a favorite disc jockey of the time). Jackson also contributes one of his own themes with the original “Blues Oriental”, which leads off the disc. They also play Dizzy's bop-era classic “Groovin' High”, while Adderley presents his own modern take on “The Sidewalks of New York”. An important meeting of top shelf jazz musicians in a critical year in jazz history.

Tracks - Side A: 1. Blues Oriental (Milt Jackson) 2. Things Are Getting Better (Julian Adderley) 3. Serves Me Right (Budd Johnson) 4. Groovin’ High (Dizzie Gillespie) Side B: 1. The Sidewalks of New York (Lawlor-Blake/arr. Julian Adderley) 2. Sounds for Sid (Julian Adderley) 3. Just One of Those Things (Cole Porter)
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BLOSSOM DEARIE “Give Him The Ohh-La-La”



Format: 180 gram LP with printed innersleeve with lyrics Cat. No.: DOXLP835L / B. G84963 Barcode: 8013252888359

In the era of the Marilyn Monroe blond bombshell, Blossom Dearie was quietly driving men just as wild by being the innocently sexy girl-next-door. Her almost childlike voice is both unforgettable and uniquely recognizable and she has a way of captivating listeners in a way that only truly great singers can. The aptly titled, “Give Him the Ooh La La”, recorded in 1957 for Verve, was Dearie’s first release after returning home to NY after gaining popularity on the Paris vocal jazz scene, and is definitely one of her best. Here she sings standards like “Between the Devil and the Deep Blue Sea” and Cole Porter’s “Just One of Those Things”, as well as some more surprisingly obscure material from her day, like “They Say It’s Spring”, “I Walk a Little Faster” and “The Riviera”, two Cy Coleman tunes. She also sings “Plus je T’Embrasse”, in tribute to her days spent in Paris and also does her own piano accompaniment throughout.

Tracks - Side A: 1. Just One of Those Things 2. Like Someone in Love 3. Between the Devil and the Deep Blue Sea 4. They Say It's Spring 5. Try Your Wings 6. Bang Goes the Drum (And You're in Love) Side B: 1. The Riviera 2. The Middle of Love 3. Plus Je T'Embrasse 4. Give Him the Ooh-La-La 5. Let Me Love You 6. I Walk a Little Faster
Kilgore
Den där Cannonball Adderly-plattan vill jag gärna ha icon_smile.gif
Vad kan den komma att kosta tro?
calle_jr

Superbra initiativ och köptipsen tas tacksamt emot.
Men tråden flyttas eftersom den bedöms passa bättre här på Nyhetsforum.

Transient Design
Kilgore: Cannonball skulle kosta ca 185kr om jag räknar rätt. Intressant?

Mvh Lasse
Transient Design
Catalog # : MOVLP077
Barcode : 0886976506612
Format : LP, 180 gram



'Are You Experienced' is the debut album by The Jimi Hendrix Experience. Released in 1967, it was the first LP for Track Records. The album highlighted Jimi Hendrix's R&B-based, psychedelic, distortion- and feedback-laden electric guitar playing and launched him as a major new international star immediately. In 2003, Rolling Stone Magazine ranked it #15 on their 500 Greatest Albums of All Time.

Without further delay we proudly announce the 2LP release of The Jimi Hendrix Experience – Are You Experienced.

The album is available at stores all over Europe from this Monday, April 19th 2010.

Preparing this exclusively remastered audiophile release took some time but the result is definitely worth waiting for!

Housed in the original European sleeve, "Are You Experienced" contains 17 tracks and is accompanied by a full-colour LP-sized booklet, full of rare pics and info.
This is the real deal for Hendrix-fans, lovers of 60's psychadelica and dedicated music fans at the same time! 40 years after his death we still hear and see Jimi's influence on pop culture and beyond. This release concludes the first wave of us celebrating his music and legacy.

- Exclusive remastered DOUBLE ALBUM!
- Incl. 8-page full-colour booklet (12"x 12")!

A1 Foxy Lady 3:18
A2 Manic Depression 3:43
A3 Red House 3:51
A4 Can You See Me 2:33
A5 Love Or Confusion 3:12
A6 I Don't Live Today 3:54

B1 May This Be Love 3:11
B2 Fire 2:44
B3 Third Stone From The Sun 6:44
B4 Remember 2:49
B5 Are You Experienced? 4:16

C1 Hey Joe 3:30
C2 Stone Free 3:36
C3 Purple Haze 2:50

D1 51st Anniversary 3:16
D2 The Wind Cries Mary 3:21
D3 Highway Chile 3:32
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TERRY RILEY “Lisbon Concert”
Format: 180 gram 2LP
Cat. No.: 901004 / B. G89184
Barcode: 889397901004



Recorded Live in Lisbon, Portugal at the Festival Dos Capuchos, 16th
July 1995.

"This gorgeous set of piano improvisations reflects minimalist composer Terry Riley's
lifelong study of Indian music. It is an outstanding recording which captures Terry
Riley at an inspired peak. Performances of such spontaneous and beautiful music
are scarce and even less-frequently performed by the composer himself at such a
late stage in an extraordinary career. To sound so inspired and inventive some 40
years after defining minimalist music is quite a feat. Coming from such a consistently
brilliant composer, who would expect less?" (Skip Jansen)

Tracks - Side A: 1. Arica Side B: 2. Negro Hall 2. 15-16 Side C: 1. Havana Man 2. Island Of Never
Anger 3. Peace Dance Side D: 1. Underworld Arising 2. The Ecstacy 3. The Lake 4. Mongolian Winds
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Akira Kurosawa’s
Movie Soundtracks [1950-1958]
Music composed by FUMIO HAYASAKA & MASARU SATO

Format: 4-fold gatefold 4LP set 140 gram virgin vinyl - Ltd edition 1000 copies
Cat. No.: DOYQLP 002 / B. G89372
Barcode: 0889397000028



Doxy brings you this deluxe 4LP set of Akira Kurosawa's most celebrated
soundtracks in commemoration of the 100th anniversary of the birth of this
great master of Japanese cinema!

Akira Kurosawa's films dominated Japanese cinema for nearly half a century
and his influence has been so widespread and profound that the world's best
filmmakers seem to unanimously sing his praise. He first gained the attention
of the international filmmaking community in 1951 when his masterpiece,
Rashomon, won top prize at the Venice Film Festival. It was during this time
that Kurosawa also began collaborating with the award-winning composer
Fumio Hayasaka. The two great men soon formed a deep connection, with Kurosawa later commenting
that Hayasaka caused him to see film music as a “counterpoint” to the image instead of a mere
“accompaniment”. Another promising young composer, Masaru Satō, soon joined the ranks at Toho
Studios, working under Hayasaka. However, when Hayasaka died suddenly in 1955, Satō was left on his
own to finish the unfinished film score. Kurosawa was so impressed with the results that he asked Satō to
score his next two films, Throne of Blood and The Hidden Fortress.

Includes soundtracks to: Rashomon (1950), the dramatic Ikiru aka “To Live” (1952), the epic Seven
Samurai (1954), Record of A Living Being aka “I Live in Fear” (1955), 1957's much celebrated adaptation
of Macbeth, Throne of Blood, and 1958's The Hidden Fortress.



Disc 1 - Side A: (Rashomon – Music by Fumio Hayasaka) 1. Rashomon Side B: (Ikiru - Music by Fumio Hayasaka)
1. "Ikiru" title track 2. Petition Tub Is Turned 3. Sign of the Waiting Room 4. Diagnosis 5. Recollection 6. Gondola
Cafe Song 7. Strip Show 8. Watanabe and I 9. Paths Toward Home 10. Mitsuo Irritation 11. Citizen Manager Seat of
an Empty Seat 12. Happy Birthday 13. Gondola Park Song 14. "Ikiru" Ending

Disc 2 - (Seven Samurai - Music by Fumio Hayasaka) Side A: 1. "Seven Samurai" title track 2. To The Little
Watermill 3. Kanbei & Katsushiro - Kikuchiyo's Mambo 4. Rikichi's Tears - White Rice 5. Two Search For Samurai 6.
Extraordinary Man 7. Morning Departure 8. Seven Men Completed 9. Katsushiro & Shino 10. Katsushiro, Come
Back 11. In The Forest Of The Water God 12. Wheat Field 13. Interlude 14. Harvesting Side B : (Seven Samurai -
Music by Fumio Hayasaka / Record of a Living Being – Music by Masaru Satō) 1. Farm Village Scenery 2. Weak
Insects Into Samurai Ways 3. Flag 4. Magnificent Samurai 5. Kikuchiyo Rises To The Occasion 6. Tryst 7. Manzo &
Shino 8. Rice Planting Song 9. "Seven Samurai" Ending 10. "Record of a Living Being" title 11. Guitar into the Night
12. Suromanho 13. Surorunha 14. Manbomerankoria 15. Star music 16. Ahirumanho 17. "I Live in Fear" end title

Disc 3 - (The Throne of Blood – Music by Masaru Satō) Side A: 1. "The Throne of Blood" Title 2. War Drum 3. Light
4. Rush 5. Old Woman Of The Straw Hat (Unused) 6. It Strangely Disappears 7. Ancient Battlefield 8. Wandering In
Fog 9. Fireside 10. Disturbing Coincidence 11. Northern Castle 12. Hunting Contest Side B: 1. Provocation-
Separation 2. Prisoner Of Delusion 3. Promotion 4. Horrid Feeling 5. Crazed Dance 6. Confused Position 7. Line Of
Great Lords At The Funeral 8. Entry Of The War Castle 9. Conception (Original Version) 10. To Its Strange Cause
(Unused) 11. Phantom Warrior 12. The Great Army Comes 13. Great Army 1 (Tympani) 14. A Sign 15. Spiderhand
Forest Moves 2 16. "The Throne of Blood" Ending

Disc 4 - (The Hidden Fortress – Music by Masaru Satō) Side A: 1. "The Hidden Fortress" Titles 2. Fallen Warrior's
Death 3. Burnt Ruins Of Autumn Moon Castle 4. Flight 5. Money! 6. Mysterious Mountain Man 1 7. Good Idea To Go
Cross Country 8. Road To The Hidden Fortress 9. Useless Work 10. Escaping Woman 11. Rokurota, To The Cave
12. Riding In The Indicated Direction 13. Setting Off 14. Gestured Excuse 15. Reliable Ally 1 Side B: 1. Reliable Ally
2 2. Over The Black Smoke 3. Adept On Horseback 4. Spear Match 5. Line Of Firefighters 6. Firefighters 7. Highland
Haunting 8. Going Downhill 9. Firefighters' Song 10. Execution Draws Near 11. Treasonous Pardon - Pass Crossing
12. Two Bad Men In Prison 13. 'The Hidden Fortress" Ending

Rashomon
羅生門
Ikiru
生きる
Seven Samurai
七人の侍

Record of a Living Being
生きものの記録
The Throne of Blood
蜘蛛巣城
The Hidden Fortress
隠し砦の三悪人
Transient Design
Robert Pete Williams
ANGOLA PRISONERS' BLUES
(W/ Matthew “Hogman” Maxey / Robert “Guitar” Welch)

Format: 180 gram LP + printed insert (lyrics and notes)
Cat. No.: DOY LP636 / B.G89030
Barcode: 8013252886362



In 1959, a young folklorist and musicologist, Harry Oster, traveled to the State Prison in
Angola, Louisiana to collect folksongs. He made a number of field recordings while at the
prison, but his biggest discovery was undoubtedly the Louisiana Blues Hall of Famer, Robert
Pete Williams, a truly gifted musician and blues writer, who was serving a life sentence. Of
the 9 songs on this album, four are by Williams, who sings heart-wrenchingly about prison
life and being down and out. Thanks to Oster, Williams was eventually released from prison,
and was able to have a fairly successful career as a bluesman in the 60s and 70s, appearing
at the 1964 Newport Folk Festival and touring the US and Europe. The other musicians
featured here, fellow inmates Robert “Guitar” Welch and Matthew “Hogman” Maxey, are both
extremely gifted musicians, but in the words of Dr. Oster (who would go on to write the
“Penguin Guide to American Folklore” in 2000), “they are primarily the heirs of a clearly
defined and standardized blues tradition, rather than innovators”. In any case, this is acoustic
prison blues at its finest, and includes such detailed liner notes as well as an annotated track
listing that it is equal parts musical and historical document.

Tracks
Side A: 1. Levee Camp Blues (Robert Pete Williams) 2. Stagolee (Hogman Maxey) 3.
Electric Chair Blues (Guitar Welch) 4. Prisoner’s Talking Blues (Robert Pete Williams)

Side B: 1. Motherless Children Have A Hard Time (Robert Pete Williams) 2. Black Night
Fallin’ (Hogman Maxey) 3. Some Got Six Months (Robert Pete Williams) 4. I’m Gonna Leave
You Mama (Guitar Welch) 5. I’m Lonesome Blues (Robert Pete Williams)
Transient Design
FATBOY SLIM
YOU'VE COME A LONG WAY, BABY



2LP Cat No:MOVLP099 Barcode: 0886976991418
Release : 24/ 05 / 2010

“You've Come a Long Way, Baby” was Fatboy Slim’s 2nd studio album, released on 19 October 1998 on Skint
Records. Fatboy Slim was –of course- none other than Norman Cook, formerly of The Housemartins, Beats
International and Freakpower. “You've Come a Long Way, Baby” peaked at number 1 on the UK Albums Chart
and 34 on the U.S. Billboard 200. Four hit singles were released from the album: "The Rockafeller Skank",
"Gangster Trippin", "Praise You", and "Right Here, Right Now", each of which reached the top 10 in the UK
Singles Chart.

The album mostly received very high praise from critics, particularly for its beats and catchy hooks, and is
considered a benchmark album in so-called Big Beat Music. In 1999, it was certified 3× platinum by the British
Phonographic Industry (BPI) and platinum by the Recording Industry Association of America (RIAA). In 2000,
the album was ranked number 81 in Q magazine's readers' poll of the "100 Greatest British Albums Ever".

Right about…now, available again in Gatefold 2LP edition!

• Gatefold Sleeve
• 180 grams audiophile vinyl

LP1 ‐ Side A
01 Right Here, Right Now (5:54)
02 The Rockafeller Skank (6:53)
03 Fucking In Heaven (3:53)

LP1 ‐ Side B
01 Gangster Trippin’ (5:19)
02 Build It Up, Tear It Down (5:04)
03 Kalifornia (5:53)

LP2 ‐ Side A
01 Soul Surfing (4:55)
02 You're Not From Brighton (5:20)
03 Praise You (5:22)

LP2 ‐ Side B
01 Love Island (5:18)
02 Acid 8000 (7:28)
Transient Design
IGGY & THE STOOGES
– RAW POWER =REMASTERED=

2LP Cat No:MOVLP070 Barcode: 0886976994112



The 2010 2LP edition of “Raw Power” on Music on Vinyl contains 2 different versions of this rock‐milestone.
LP1 features the recently remastered version of David Bowie’s original 1972 mix. After years of criticism ‐
regarding the original mix‐ this new mix will set the record straight for once and for always: This ís the
ultimate version of “Raw Power”. Accompanying the 2010 mix, we’ve included the 1997 edition that was
revamped by Iggy Pop himself. Same 8 songs, whole new sonic approach: A complete overview for
audiophile listeners and Stooges fans alike!

This double LP set contains a 16‐page booklet with rare pics and liner notes and quotes by Iggy, James
Williamson and Scott Asheton!
• 180 grams audiophile vinyl 2LP
• Remastered version of 1972´s Bowie mix + Iggy Pop´s 1997 Revamped Mix
• Gatefold sleeve
• Incl. 16‐pag. booklet w/liner notes and previously unseen pictures

LP1 ‐ Side A
1 Search And Destroy (3:28)
2 Gimme Danger (3:28)
3 Your Pretty Face Is Going To Hell (Originally titled ‘Hard To
Beat’) (4:54)
4 Penetration (3:35)

LP1 ‐ Side B
1 Raw Power (4:19)
2 I Need Somebody (4:52)
3 Shake Appeal (3:00)
4 Death Trip (5:51)

LP2 ‐ Side A
1 Search And Destroy (3:28)
2 Gimme Danger (3:28)
3 Your Pretty Face Is Going To Hell
(Originally titled ‘Hard To Beat’) (4:54)
4 Penetration (3:35)

LP2 ‐ Side B
1 Raw Power (4:19)
2 I Need Somebody (4:52)
3 Shake Appeal (3:00)
4 Death Trip (5:51)
Transient Design
URBAN DANCE SQUAD
MENTAL FLOSS FOR THE GLOBE

LP Cat No:MOVLP097 Barcode: 0886977231315



At the end of the 80’s -in the central part of Holland- a one-off jam session by local musicians led to the
birth of an influential and groundbreaking group: The Urban Dance Squad: Led by MC/Singer Rudeboy,
who was backed by a traditional rockband line-up plus DJ DNA, they pioneered the Rock-meets-Rap
movement in Holland and abroad. Not fitting in either one of those categories, they singlehandedly
created their own mix of genres: Rocking with the toughest while maintaining street credibility.
On the heals of their 1989 debut ”Mental Floss for the Globe” they toured on both sides of the Atlantic
and gained praise by fellow musicians Rage Against The Machine and The Red Hot Chili Peppers. ‘Deeper
Shade of Soul’ proved a song with international hit-appeal and several tracks off the album turned up in
Hollywood movies.

20 years after release, this LP was voted Most Important Dutch Album by Dutch OOR Magazine.
Definitely worthy of a remastered version, we present the long overdue audiophile pressing in a gatefold
sleeve with a lyric sheet to rap-a-long while headbanging to ‘Fast Lane’, ‘No Kid’, ‘Deeper Shade of Soul’
to name a few.

• 180 grams audiophile vinyl
• Gatefold Sleeve + lyric sheet
• Remastered Audio

LP1 ‐ Side A
1 Living In The Fastlane
2 No Kid
3 Deeper Shade Of Soul
4 Brainstorm On The UDS
5 Big Apple
6 Piece Of Rock

LP1 ‐ Side B
1 Prayer For My Demo
2 The Devil
3 Famous When You're Dead
4 Mental Floss For The Globe
5 Struggle For Jive
6 God Blast The Queen

Transient Design
AEROSMITH
NINE LIVES

2LP Cat No:MOVLP102 Barcode: 0886977316418 Release : 24/ 05 / 2010



“Nine Lives” is the 12th studio album by American rockers Aerosmith, released March 18, 1997. They had
signed a multi‐million‐dollar contract with Columbia Records before they had completed their deal with
Geffen, which meant that a lot was riding on their first Columbia LP since ´82. During the recording the band
nearly broke up, and they worked with a number of producers — including Glen Ballard, the man behind
Alanis Morissette — before settling on Kevin Shirley. The album peaked at #1 at the Billboard Charts and
hitsingle "Pink” won a Grammy for Best Rock Performance.

The album has been released with various tracklistings (ranging from 12 to 15 tracks). This audiophile
pressing contains the ‘European’ listing with 15 tracks. Includes the monster hit ‘I Don't Want To Miss A
Thing´, featured on the soundtrack of blockbuster movie “Armageddon”.

• 180 grams audiophile vinyl
• 15‐track version

LP1 ‐ Side A
1 Nine Lives
2 Falling In Love (Is Hard On The Knees)
3 Hole In My Soul
4 Taste Of India

LP1 ‐ Side B
1 Full Circle
2 Something's Gotta Give
3 Ain't That A Bitch
4 The Farm

LP2 ‐ Side A
1 Crash
2 Kiss Your Past Good‐bye
3 Pink
4 Falling Off

LP2 ‐ Side B
1 Attitude Adjustment
2 Fallen Angels
3 I Don't Want To Miss A Thing

calle_jr

Helt klart trevliga skivor!

QUOTE (Transient Design @ 2010-04-23 10:54 ) *
Robert Welch

Hög risk man får höra en svensk pianist efter ett par kaffegökar icon_smile_clown.gif
Transient Design
MILES DAVIS
KIND OF BLUE +2

Release : 07/ 06 / 2010



2LP Cat No:MOVLP019 Barcode: 0886976389413

So much has been said and written about Miles Davis’ “Kind Of Blue”, it’s virtually impossible to summarize all the
necessary info to the length of this note. We could simply list some facts (best sold Jazz album ever worldwide). We
could try to explain why it’s the best jazz album ever made, but the music itself will do that to you. As Bill Evans said
in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Miles
Davis laid out the themes before the tape rolled and the band improvised.
The end results were fragile and wondrous. Recorded during 2 sessions in 1959, “Kind of Blue” worked on many
different levels and will do so for many years to come.
We´re proud to announce a very special version of the most influential (jazz)album ever. We present the orginal
album in remastered form plus an extra LP containing 2 tracks that weren’t available on vinyl before (an alternate
take of ‘Flamenco Sketches ‘ and a version of ‘On Green Dolphin Street’ recorded prior to the Kind of Blue sessions,
with the legendary line-up of Bill Evans, John Coltrane, Paul Chambers and Jimmy Cobb).

We present a limited number of the album on classy blue 180 grams vinyl (3000 numbered copies).
Also, we´ve graced this first-time ever 2LP edition of this musical masterpiece with a gatefold sleeve with additional
liner notes.

• 180 grams audiophile vinyl
• Remastered Audio
• Limited Edition on Blue Vinyl (3000 numbered copies)
• First-time ever 2LP edition incl. 2 bonustracks
• Gatefold Sleeve incl. additional liner notes

LP1 ‐ Side A
1 So What (9:03)
2 Freddie Freeloader (9:46)
3 Blue In Green (5:37)

LP1 ‐ Side B
1 All Blues (11:32)
2 Flamenco Sketches (9:24)

LP2 ‐ Side A
1 Flamenco Sketches (ALTERNATE TAKE) (9:24

LP2 ‐ Side B
1 On Green Dolphin Street (9:48)

Transient Design
TURIN BRAKES
OUTBURSTS



LP Cat No:MOVLP108 Barcode: 8713748980078

Turin Brakes’ Olly and Gale have rediscovered the working practices that got them started in the first place. Written,
produced and (for the most part) performed entirely by the two of them, “Outbursts” is a collection of songs that
returns to the essence of Turin Brakes. The post-punk-new-wave sound of 2007’s “Dark On Fire” is gone, back are
the heartfelt ballads, combined with feel good music!

Turin Brakes’ strength and essence is summed up in one of the album's standout songs, “Never Stops”, a soulful
repetative song with a bluesy feel, that shows the enduring spirit of Turin Brakes. “Paper Heart” is a vulnerable little
song with a haunting piano and string part. Gale, who wrote two of the twelve songs, is reluctant to analyze the
songs in terms of personal experience. “You pick up on a tiny emotion within yourself and turn it into a film,” Gale
says. “That's what being a good songwriter is all about, and Olly is one of the very best.

One of the most dramatic songs on the album is “Radio Silence”, a song which captures a sense of OK Computer-era
Radiohead. “I just poured my heart out/Did I go too far?” Olly sings on the beautiful, melancholic title track
“Outbursts”, a song that recalls the jazz standards of the 1920s.

With artwork to match the sonic outbursts on the record and a classy 8-page full-colour booklet, this
album is a piece of art in more ways than one!

LP1 ‐ Side A
01 The Sea Change
02 Mirror
03 Rocket Song
04 Paper Heart
05 The Invitation
06 Will Power

LP1 ‐ Side B
01 Apocalips
02 Embryos
03 Never Stops
04 The Letting Down
05 Radio Silence
06 Outbursts

• 180 grams audiophile vinyl
• Gatefold Sleeve
• 8-page full-colour booklet
Transient Design
DENNIS WILSON
PACIFIC OCEAN BLUE



LP Cat No:MOVLP096 Barcode:0886977316913
Release : 24/ 05 / 2010

At first a somewhat un-noticed Wilson brother at the beginning of the Beach Boys’ career, Dennis Wilson later
matured into an excellent songwriter, producer, and vocalist. His heartfelt ballads and pop gems contributed heavily
to the Beach Boys' late 60’s and early 70’s output. A ‘target’ of female enthusiasm, Dennis was assigned lead vocals
for a few early novelty songs: "Little Girl (You're My Miss America)", "Surfers Rule," and "This Car of Mine." His first
hit came in 1965 when "Do You Wanna Dance" opened the “The Beach Boys Today!” album and cracked the Top 20.

After the high peaks and deep valleys of the Beach Boys career during the late '60s, Dennis began writing songs
("Little Bird," "Be Still") for 1968's ‘Friends’. Throughout the early '70s, Beach Boys fans counted on at least two
Dennis songs on each LP, often tender ballads. He made his first attempt at a solo album as early as 1970, but
quietly released only one single. He started work again in 1975, recording with friend and producer Gregg Jakobsen
during 1976 to complete “Pacific Ocean Blue”.

Though Dennis had started work on his second (provisionally titled ‘Bamboo’) even before the release of “Pacific
Ocean Blue”, increasing problems caused several holdups.

In late 1983 Wilson drowned while diving around his boat in Marina del Ray, CA. “Pacific Ocean Blue” is his only
complete solo effort released to the public and we’re pleased to offer it in audiophile quality!

LP1 ‐ Side A
01 River Song
02 What's Wrong
03 Moonshine
04 Friday Night
05 Dreamer
06 Thoughts Of You

LP1 ‐ Side B
01 Time
02 You And I
03 Pacific Ocean Blues
04 Farewell My Friend
05 Rainbows
06 End Of The Show

• 180 grams audiophile vinyl
• Gatefold sleeve
Transient Design
KINGS OF LEON
YOUTH & YOUNG MANHOOD



2LP Cat No:MOVLP100 Barcode: 0886977316616
Release : 24 / 05 / 2010

“Youth & Young Manhood” was Kings of Leon’s debut album, released in August 2003. The title was taken from a
drawing of the family tree of Moses, found on the inside of one of their Pentecostal preaching father's Bibles.
According to the band, each branch contained a line that could have passed for an album title. “Youth & Young
Manhood”, however, seemed fitting and was quickly agreed upon by all members. The album was recorded between
Sound City Studios, California (where Nirvana's ‘Nevermind’ and Fleetwood Mac's ‘Rumours’ were recorded) and
Shangri‐La Studio in Malibu. Many critics appreciated the band's punk and garage rock‐influenced revival of the
southern rock genre with UK’s NME hailing the album among the "best debuts of the last 10 years". Allmusic claimed
the album contained "some greasy licks that sure sound good". Village Voice called the album "2003's finest rock
debut". Rolling Stone declared that the band knew "when to lay back and let things simmer" as well as "when to jump
up and testify with tambourines banging" in a favorable review. A promising debut, which led the way for steady
growth, musically and commercially in later years. Like the Music on Vinyl release of ‘Aha Shake Hearbreak’, this Kings
of Leon LP comes in Gatefold sleeve. Originally released on limited double‐10”vinyl, this 180 grams audiophile 2LP
includes the formerly CD‐only bonus track ‘Talihina Sky’!

• 180 grams audiophile vinyl
• Gatefold Sleeve
• Incl. 1 bonustrack

LP1 ‐ Side A
01 Red Morning Light
02 Happy Alone
03 Wasted Time

LP1 ‐ Side B
01 Joe's Head
02 Trani
03 California Waiting

LP2 ‐ Side A
01 Spiral Staircase
02 Molly's Chambers
03 Genius

LP2 ‐ Side B
01 Dusty
02 Holy Roller Novocaine
03 Talihina Sky (Bonustrack)
Transient Design
FLEETWOOD MAC
GREATEST HITS



LP Cat No:MOVLP103 Barcode: 0886977232114

The famous ‘red sleeve’ “Fleetwood Mac’s Greatest Hits” album was an essential part of every
decent album collection in the early 1970’s as it represented the first greatest hits package
from Fleetwood Mac, covering the period from the band's beginning in 1968 through to 1971.

Fleetwood Mac in their original incarnation were led by led by guitarist Peter Green and were
leaders of the second British Blues boom of the late 1960s, Fleetwood Mac enjoyed several hit
singles in the United Kingdom at that time and these are collated here for this album
originally issued on CBS Records only in the U.K.
‘Albatross’ was a huge chart hit in the UK whilst the single ‘Black Magic Woman’ helped to
break Fleetwood Mac in the U.S.A via a cover version by Santana, who placed their version in
the Billboard Top 40. The album gatefold shows a full-size photo of the post-Peter Green line up
of the band with Christine McVie, even though she just plays piano on a couple tracks and
wasn't a full-fledged member until after the “Kiln House” LP was released.

LP1 - Side A
01 The Green Manalishi (4:43)
02 Oh Well - Part I (3:28)
03 Oh Well - Part II (5:40)
04 Shake Your Moneymaker (2:52)
05 Need Your Love So Bad (3:26)
06 Rattlesnake Shake (2:05)

LP1 - Side B
01 Dragonfly (2:46)
02 Black Magic Woman (2:46)
03 Albatross (3:10)
04 Man Of The World (2:47)
05 Stop Messin' Round (2:19)
06 Love That Burns (5:01)

• 180 grams audiophile vinyl
• Gatefold Sleeve
Transient Design
HANK WILLIAMS “Montgomery”



Format: 180 gram LP
Cat. No.: DOY631LP / B. G97119
Barcode: 8013252886317

A collection of rare early private recordings, radio airchecks and demos by the
man who single-handedly penned many of today's country music standards.
The first recording featured here, “Happy Rovin' Cowboy”, is from 1939, when
Hank was just 16 years old. He began making his own private recordings in
recording booths, often simulating radio show performances in an attempt to
impress a real station. Hank got his first gig at a real station, however, by
playing outside the entrance WFSA in Montgomery until they finally invited
him to play inside. Soon “The Singin' Kid”, as he was then known, became so popular with local audiences that he got
his own show, dropped out of high school, formed his own band and began touring all over the South. Hank was
soon fired from WFSA, however, for “habitual drunkenness”, but this did little to stall his career. If anything, it was
WWII that slowed the entire recording industry down, but nonetheless Hank still managed to get some demos out
during this time, many of which are included here. By 1948, Hank had his first massive country hit and was off to
greener pastures, namely Shreveport, Louisiana and the legendary Louisiana Hayride.

Tracks - Side A: 1. Happy Rovin’ Cowboy (1939-1940) 2. Freight Train Blues (late 1940) 3. San Antonio Rose (late 1940) 4. I’m Not
Coming Home Any More (4/07/1942) 5. I Ain’t Gonna Love You Any More (circa 1942) 6. Won’t You Sometimes Think Of Me
(1947-1948) 7. Why Should I Cry (1947-1948) 8. I Watched My Dream World Crumble Like Clay (1947-1948) 9. I Told A Lie To My
Heart (1947-1948) 10. Mother Is Gone (1947-1948) Side B: 1. In My Dreams You Still Belong To Me (1947-1948) 2. We’re Getting
Closer To The Grave Each Day (1949) 3. (I’m) Going Home (1949) 4. Calling You (1947-1948) 5. Pan American (Dec. 1946) 6.
Wealth Won’t Save Your Soul (Dec 1946) 7. Honky Tonk Blues (1947-1948) 8. A Home in Heaven (1947-1948) 9. You Broke Your
Own Heart (with band – 1947) 10. I’m So Tired Of It All (1947)



HANK WILLIAMS “Shreveport Sessions (August 1948- May 1949)”



Format: 180 gram 2LP
Cat. No.: DOY632DLP / B. G97120
Barcode: 8013252886324

When Hank arrived in Shreveport in August 1948, KWKH's now legendary Louisiana
Hayride (but at the time just one of many popular radio barn dance's being broadcast
across the South) had yet to attract a major act (Elvis, Johnny Cash, Faron Young, Webb
Pierce, Jim Reeves, and Slim Whitman all came after), and Hank himself was barely
known outside of Montgomery. Hank managed nonetheless to get a spot on the
Hayride (sponsored by the Johnnie Fair syrup company), which he held down until May
of the following year, when the success of “Lovesick Blues” meant that Hank was on to
the bright lights of Nashville. During this period (Aug. 1948-May 1949) Hank made a number of recordings, including several
acetates that were recorded for KWKH to broadcast when Hank was away on other engagements. This material, almost entirely
comprised of Hank singing other artists' songs, gives fans an enlightening glimpse of Hank's many influences and how his style
developed over the years. However, Hank also recorded acetates of his own material while he was with the Hayride, mostly with
Curley Williams, which he sent over to Acuff-Rose in Nashville, and these are also included here.

Tracks - Side A: 1. You Caused It All By Telling Lies 2. Faded Love And Winter Roses 3. Please Don’t Let Me Love You 4. There’s No
Room In My Heart For The Blues 5. I Wish I Had A Nickel 6. The Waltz Of The Wind 7. At The First Fall Of Snow 8. Leave Me Alone
With The Blues 9. I’m Free At Last 10. Blue Love (In My Heart) 11. It Just Don’t Matter Now Side B: 1. Little Paper Boy 2. Someday
You’ll Call My Name 3. The Battle Of Armageddon 4. No One Will Ever Know 5. With Tears In My Eyes 6. Thank God 7. Rock My
Cradle Once Again 8. Don’t Do It Darling 9. Rockin’Chair Money 10. Cool Water Side C: 1. Tennessee Border 2. First Year Blues 3.
My Main Trial Is Yet To Come 4. Wait For The Light To Shine 5. We Live In Two Different Worlds 6. Roly Poly 7. Swing Wide Your
Gate Of Love 8. Dixie Cannonball 9. Sundown And Sorrow 10. The Devil’s Train 11. The Old Home Side D: 1. Alone And Forsaken 2.
Heaven Holds All My Treasures 3. Lost On The River 4. A House Of Gold 5. Singing Waterfall 6. Dear Brother With Kitty Wells And
Johnnie Wright 7. ‘Neath A Cold Gray Tomb Of Stone 8. Time Has Proven I Was Wrong With Curley Williams 9. No, Not Now With
Curley Williams 10. When You’re Tired Of Breaking Others Hearts 11. Honey, Do You Love Me, Huh



HANK WILLIAMS “Nashville Sessions”



Format: 180 gram 2LP + insert with liner notes
Cat. No.: DOY633DLP / B. G97122
Barcode: 8013252886331

In 1951 Hank Williams was ready for the big time, and in country music that meant
Nashville, Tennessee, The Grand Ole Opry, and particularly the Acuff-Rose Music
company. Acuff-Rose, run by Grand Ole Opry Star Roy Acuff and professional song
writer Fred Rose, was the first Nashville-based music company and the mainstay of
country music for many years. Here, under Rose’s tutelage, Hank’s true talent
began to shine and his songs just got better and better. This double LP is a
collection of Hank’s work from 1949-1952, with disc one being a collection of
demos recorded during Hank’s brief time in Nashville, including alternate versions
of the three songs—Kaw-Liga,” “Your Cheatin’ Heart,” and “Jambalaya”—that Hank
took to the top of the charts. The demo version of “Kaw-Liga”, which Hank cowrote
with Fred Rose, is very different from the one he eventually released, a welcome surprise for any fan! It also includes
versions of “I Could Never Be Ashamed of You”, written for his shotgun bride, Billie Jean; an amazing and foreboding version of
“Angel of Death”, suggesting that Hank knew full well that he didn’t have much time left; and “Log Train”, a song written for
Hank’s dad, and chronicling his early boyhood in logging camps. “How To Write Folk And Western Music To Sell”, was a booklet
published in 1951, and while Hank did not actually write the text, he did lend his name to the project and market it on radio
stations across the South. Disc two features a collection of songs Hank sold to other artists during this period (with one example
being “A Tear in My Beer”, which Hank gave to Big Bill Lister, but which just sat around in an attic until it was discovered by
Lister’s son in 1988), and rare radio performances from 1950, including the “Farmer Jim” show in Jackson, Mississippi and the
March of Dimes broadcast. Includes detailed liner notes.

Tracks - Side A: 1. California Zephyr 2. Your Cheatin’ Heart 3. You Better Keep It On Your Mind 4. How Can You Refuse Him Now 5.
Low Down Blues 6. Ten Little Numbers 7. Thy Burdens Are Greater Than Mine 8. Last Night I Dreamed Of Heaven 9. I Ain’t Got
Nothin’ But Time 10. Message To My Mother Side B: 1. Fool About You 2. I’m Going Home 3. Jambalaya (On The Bayou) 4. Ready
To Go Home 5. Kaw-Liga 6. I Could Never Be Ashamed Of You 7. Angel Of Death 8. All The Love I Ever Had 9. We’re Getting Closer
To The Grave Each Day 10. The Log Train 11. How To Write Folk And Western Music To Sell With Grant Turner Side C: 1. There’s A
Tear In My Beer 2. The Alabama Waltz 3. Jesus Died For Me With Audrey Williams 4. A Teardrop On A Rose 5. Jesus Is Calling 6.
Wearin’ Out Your Walking Shoes 7. When The Book Of Life Is Read 8. There’s Nothing As Sweet As My Baby 9. (I’m Gonna) Sing,
Sing, Sing 10. I Can’t Escape From You 11. Weary Blues >From Waitin’ 12. Are You Walkin’ And A Talkin’ For The Lord Side D: 1. If
You’ll Be A Baby To Me 2. ‘Neath A Cold Gray Tomb Of Stone 3. Lost Highway 4. I’m A Long Gone Daddy 5. Long Gone Lonesome
Blues 6. Help Me Understand 7. When God Dips His Love In My Heart
Transient Design
ENNIO MORRICONE “Escalation – Original Motion Picture Soundtrack”

Format: 180 gram LP with printed inner sleeve
Cat. No: GETLP0717 / B.G94802
Barcode: 0889397007171



Set in 1968’s Swinging London,
Escalation, was the debut film of
then 25-year-old director Roberto
Faenza. True to his youth, Faenza’s
dark comedy dealt with the war
being waged between armies of
bourgeois parents and their hippy
offspring. The tale of Luca, the
ne’er-do-well son of a wealthy
Italian industrialist, and his father’s
attempt use any means necessary
to bring him home to Italy and
make him take his rightful place at
the helm of the family empire
(even if it means destroying him).
Ennio Morricone’s unique ability to

Ennio Morricone’s unique ability to
use music to express the inner
psyche of his films’ protagonists is
what makes his scores so unique.
Here Morricone teams up with
fellow composer Bruno Nicolai and
the vocalizations of Alessandro Alessandroni’s “Cantori Moderni”, making this one of his less
minimal soundtracks, as both and orchestra and a choir is used. In 1968 Morricone was at the
height of his career, scoring not only Sergio Leone’s classic “Once Upon a Time in the West”,
but also, unbelievably, more than 20 other films! Innersleeve features poster of the film.

Tracks - Side A: 1. Escalation * 2. Dies Irae Psichedelico * 3. Collage n. 1 * 4. Luca’s Sound 5. Senza Respiro 6. Luca
Casa Londra Side B: 1. Matrimonio * 2. Collage n. 2 * 3. Carillon Erotico 4. Primo Rito * 5. Secondo Rito * 6.
Funerale Nero * coro I Cantori Moderni di Alessandroni
Transient Design
SOFT MACHINE

NEW High-Definition Vinyl...unprecedented U.K. psychedelic-progressive-jazz-rock...
The first two albums by England’s legendary Soft Machine, originally released in 1968 and 1969, remain among the
most innovative and influential releases of that musically fertile era. These seminal LPs offered a visionary
psychedelic-progressive-jazz-rock mix that helped to make the Soft Machine one of Britain’s first significant
underground bands, as well as a key force in the birth of both progressive rock and jazz-rock.
A product of the same fabled Canterbury scene that spawned such beloved cult acts as Caravan and Hatfield and
the North, the Soft Machine was the rare art-rock combo whose members possessed the instrumental skills to
execute their ambitious musical ideas, as well as a playful sense of humor that balanced the band’s complex
compositions and adventurous improvisations. By the time they began making albums, the Soft Machine was already
a sensation in the budding U.K. rock underground, thanks to their now-legendary performances at such fabled
London clubs as the UFO, the Speakeasy, and Middle Earth, where they shared stages with the likes of Pink Floyd
and Tomorrow.



THE SOFT MACHINE
The Soft Machine, co-produced by Chas Chandler and Tom Wilson, announced
the band’s arrival on the international scene in fine style. With an unusual threeman
lineup comprised of Kevin Ayers on bass and vocals, Robert Wyatt on
drums and vocals, and Mike Ratledge on keyboards, the album was recorded in
New York, while the band was touring North America with the Jimi Hendrix
Experience. In contrast to the extended pieces that would later dominate the Soft
Machine’s repertoire, the album focuses on shorter, more concise songs that
nonetheless provide plenty of room for the musicians to demonstrate their varied
abilities.
TRACK LIST: Hope for Happiness / Joy of a Toy / Hope for Happiness (Reprise)
/ Why Am I So Short? / So Boot If at All / A Certain Kind / Save Yourself / Priscilla
/Lullabye Letter / We Did It Again / Plus Belle Qu’une Poubelle / Why Are We
Sleeping? / Box 25/4 Lid
High-Definition Vinyl LP
LP 5341 / B. G94805





VOLUME TWO
The aptly titled Volume Two introduced a retooled Soft Machine lineup, with
Wyatt and Ratledge joined by bassist Hugh Hopper, an old Canterbury friend
who had guested on the first album. The sophomore disc finds the threesome
moving towards a more explicitly jazz-influenced sound, with an increased
emphasis on instrumental material. The album is bookended by a pair of
extended compositions, “Rivmic Melodies” and “Esther’s Nose Job,” which are
broken up into shorter individual tracks bearing whimsically arbitrary titles. That
approach was suggested to the band by Frank Zappa, whose Mothers of
Invention album Absolutely Free was reportedly an influence on Volume Two.
TRACK LIST: Rivmic Melodies: Pataphysical Introduction –
Part I / A Concise British Alphabet – Part I / Hibou, Anemone and Bear / A
Concise British Alphabet – Part II / Hulloder / Dada Was Here / Thank You Pierrot
Lunaire / Have You Ever Bean Green? / Pataphysical Introduction – Part II / Out
of Tunes / Esther’s Nose Job: As Long as He Lies Perfectly Still / Dedicated to
You But You Weren’t Listening / Fire Engine Passing with Bells Clanging
/ Pig / Orange Skin Food / A Door Opens and Closes / 10.30 Returns to the Bedroom
High-Definition Vinyl LP
LP 5342 / B. G94806

EXP. RELEASE DATE EARLY JUNE
These landmark vinyl gems have been out of print for decades, but now they’re back in these meticulously packaged
Sundazed editions. Mastered from the original analog tapes and pressed on pristine high-definition vinyl, these
lovingly restored LPs sound as powerful and imaginative as ever.
Transient Design
GOLDEN EARRING
2ND LIVE



2LP Cat No:MOVLP054 Barcode: 8712944332148

“Golden Earring – Live” (MOVLP048) was a testimony of The Golden Earring’s live reputation,
but one album simply wasn´t enough. Here´s the follow-up to that LP, rightly called “2nd
Live”. The first half puts the emphasis on great album tracks that weren´t released as singles,
but are definitely fan favorites.

The second disc boasts live renditions of their hits from 1970´s “Back Home” until 1980´s
“Long Blond Animal”.
As is customary for Music on Vinyl releases, this 1981 release features the original artwork and
is pressed on 180 grams audiophile vinyl.

LP1 ‐ Side A
01 DON'T STOP THE SHOW (3:24)
02 MY TOWN (3:29)
03 NO FOR AN ANSWER (4:42)
04 HEART BEAT (4:07)

LP1 ‐ Side B
01 SAVE YOUR SKIN (9:06)
02 I DON'T WANNA BE NOBODY ELSE (5:32)
03 LONG BLOND ANIMAL (4:57)

LP2 ‐ Side A
01 PRISONER OF THE NIGHT (5:49)
02 WEEKEND LOVE (6:27)
03 SLEEPWALKIN' (6:39)

LP2 ‐ Side B
01 I DO ROCK 'N' ROLL (5:03)
02 SLOW DOWN (4:51)
03 BUDDY JOE (3:35)
04 BACK HOME (5:47)

• 180 grams audiophile vinyl
• Gatefold Sleeve
Transient Design
JOHN LEE HOOKER “The Blues”



Format: 180 gram LP
Cat. No.: DOYLP638 / B.G92441
Barcode: 8013252886386

After years spent traveling and playing music across the South, towards the end of
WWII, Hooker, like so many other Delta-born bluesmen, ended up working in the
factories of Detroit's booming automotive industry. After a few years spent playing the
blues in the back alleys of Motor City and purchasing his first electric guitar, Hooker
began rising up through the ranks of the legendary Hastings Street scene. In 1948, the
31-year-old blues guitarist finally got his first big break. With the help of agent Bernie Besman, and L.A.'s Modern
Records, Hooker's first single “Boogie Chillen”, unexpectedly went to #1 on the R&B charts—a rare occurrence in
the music business, but undoubtedly testimony to his equally rare talent. The next few years (1948-1952),
documented here, were a whirlwind of hits for Hooker who began spreading his own brand of raw, foot-stomping
Delta blues across America, and eventually the world, becoming one of the most idolized and imitated musicians in
the history of blues, and paving the way for the blues-based rock & roll explosion of the 1960s.

Tracks - Side A: 1. Boogie Chillen 2. I'm In The Mood 3. Crawling King Snake 4. Queen Bee 5. Hobo Blues
6.Weeping Willow Side B: 1. Cold Chills 2. Hoogie Boogie 3. Whistlin' And Moanin' Blues 4. Sally Mae 5. House
Rent Boogie 6. Anybody Seen My Baby




JOHN LEE HOOKER “Folk Blues”
Format: 180 gram LP
Cat. No.: DOYLP639 / B.G92443
Barcode: 8013252886393

By the time the folk / blues revival of the 1960s rolled around, and hoards of radioaddicted
American and British teenagers had begun seeking out the roots of rock &
roll, John Lee Hooker had already had numerous hits and his loud and raw electric
Delta blues was blaring from radio sets across the nation. Soon every budding rock
band from London to San Francisco was naming him as a primary influence and
playing (or trying to play) his songs. Thanks to this wide crossover fan base he toured heavily during this period,
spreading his foot stomping boogie all over the USA and Europe. The tracks on this particular album, however, is a
collection of sides from 1954 (with the exception of 1952's “Rock House Boogie”) when Hooker was still recording
in Detroit—primarily for Modern Records (where Hooker landed his first #1 hit, “Boogie Chillen”, in 1948), but also
simultaneously “moonlighting” for numerous other labels under many different pseudonyms in an attempt to pay the
rent. In an era of millionaire musicians it is difficult to imagine how a man with so many number one hits could still
be short on cash, but at this time black musicians were often paid next to nothing for their recordings and forced to
forfeit their royalties to the record labels. Here Hooker is backed by the great Eddie Kirkland on second guitar—his
constant sideman during this period. Hooker's style was notoriously difficult to play behind, and Kirkland, a brilliant
guitarist in his own right, was one of the few who had a good enough ear to keep up with all of the off-tempo
changes. This album does not feature any of Hooker's hits, and while that may be a drawback with some lesser
artists, when you are dealing with one of the giants of both the blues and, by association, rock & roll, it is actually
both refreshing and rewarding to gain exposure to some of his lesser known material.

Tracks - Side A: 1. Baby I'm Gonna Miss You 2.Half A Stranger 3. Shake Holler And Run 4. Down Child 5. Gonna
Boogie Side B: 1. Bad Boy 2. Rock House Boogie 3. Let's Talk It Over 4. Baby You Ain't No Good 5. Lookin' For A
Woman
Transient Design
LIGHTNIN' HOPKINS “Country Blues”

Format: 180 gram LP
Cat. No.: DOYLP637 / B.G92440
Barcode: 8013252886379



By the time this LP was recorded in 1959 Lightnin' Hopkins was
already a star, but hoping to catch Hopkins in a more informal and
relaxed setting, American folklorist Mack McCormick travelled to
Texas with just a mono tape recorder. Despite, or perhaps because
of, the lack of professional equipment, McCormick manages to
capture Hopkins in rare form. The listener has the impression that
Hopkins is just hanging out on his front porch with a few friends,
playing the blues. It was through his contact with McCormick that
Hopkins was presented to rock & roll / blues revival audiences,
playing Carnegie Hall with Joan Baez and Pete Seeger in 1960.

Tracks - Side A: 1.Long Time 2. Rainy Day Blues 3. Baby! 4. Long Gone Like a Turkey Through the Corn 5. Prison
Blues Come Down on Me 6. Backwater Blues (That Mean Old Twister) 7. Gonna Pull a Party Side B: 1. Bluebird,
Bluebird 2. See See Rider 3. Worrying My Mind 4. Til the Gin Gets Here 5. Bunion Stew 6. You Got to Work to Get
Your Pay 7. Go Down Old Hannah 8. Hear My Black Dog Bark
Transient Design
Miles Davis - Kind Of Blue (Limited Edition)



Music On Vinyl is proud to announce a very special edition of arguably the finest, but definitely the most influential (jazz)album ever;"Kind Of Blue".

We present the orginal album in remastered form plus an extra LP containing 2 tracks that weren't available on vinyl before (an alternate take of 'Flamenco Sketches ' and a version of 'On Green Dolphin Street' recorded prior to the Kind of Blue sessions, with the legendary line-up of Bill Evans, John Coltrane, Paul Chambers and Jimmy Cobb.)

So much has been said and written about Miles Davis' "Kind Of Blue", it's virtually impossible to summarize all the necessary info to the length of this page. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it's the best jazz album ever made, but the music itself will do that to you. As Bill Evans said in the original liner notes for the record, the band did not pla y through any of these pieces prior to recording. Miles Davis laid out the themes before the tape rolled and the band improvised.

The end results were fragile and wondrous. Recorded during 2 sessions in 1959, "Kind of Blue" worked on many different levels and will do so for many years to come.

We present a limited number of the album on classy blue 180 grams vinyl. Also, we´ve graced this first-time ever 2LP edition of this musical masterpiece with a gatefold sleeve with additional liner notes.

# 180 grams audiophile vinyl
# Remastered Audio
# Limited Edition on Blue Vinyl (3000 NUMBERED copies)
# First-time ever 2LP edition incl. 2 bonustracks
# Gatefold Sleeve incl. additional liner notes

Tracklisting:

A1 So What (9:03)
A2 Freddie Freeloader (9:46)
A3 Blue In Green (5:37)

B1 All Blues (11:32)
B2 Flamenco Sketches (9:24)

C1 Flamenco Sketches (ALTERNATE TAKE) (9:24)

D1 On Green Dolphin Street (9:48)
Transient Design
MOTT THE HOOPLE
“MOTT”



1LP Cat No:MOVLP126 Barcode: 0886977457319
Release : 28 / 06 / 2010

After their 1972 breakthrough album & hitsingle “All The Young Dudes” Mott The Hoople released their
“Mott” album. The single ‘All the Way from Memphis’ received considerable airplay on U.S. radio and the
LP became the band's best seller to date in the U.S. Using the glam rock craze as their launch pad, the
band straddled the widening gap between the teen-pop market and the college circuit. The LP “Mott”
climbed into the Top 10 of the UK Albums Chart.

By the time “Mott” was released it was clear that Ian Hunter had become the dominant figure of the
band. Aside from the lead track, the album includes introspective songs such as "Ballad of Mott The
Hoople", which exposes Mott’s near break-up, and the peculiar "I Wish I Was Your Mother", featuring
multi-tracked mandolin, in which Hunter sings of his wish to see his love as a child. Hard rockers are
given their due with ‘Whizz Kid’, ‘Drivin’ Sister’, ‘Violence’ and ‘Honaloochie Boogie’. A fine performance
is delivered by Hunter in the almost religious ‘Hymn for the Dudes’.

In 2003, the album was ranked number 366 on Rolling Stone magazine's list of the 500 greatest albums
of all time.

LP1 ‐ Side A
A1 All The Way From Memphis (5:02)
A2 Whizz Kid (3:05)
A3 Hymn For The Dudes (5:24)
A4 Honaloochie Boogie (2:43)
A5 Violence (4:48)

LP1 ‐ Side B
B1 Drivin' Sister (4:42)
B2 Ballad Of Mott The Hoople (5:40)
B3 I'm A Cadillac/El Camino Dolo Roso
(7:53)
B4 I Wish I Was Your Mother (4:41)

• 180 grams audiophile vinyl
Transient Design
JACK BRUCE & ROBIN TROWER
“SEVEN MOONS”



1LP Cat No:MOVLP112 Barcode: 8713748980092
Release : 28 / 06 / 2010

“Seven Moons”, an album by Jack Bruce and Robin Trower that sees these prominent members of the seminal British
rock and blues scene of the 1960s back together and in fine form. Robin Trower was the founding guitarist in the
band Procol Harum and Jack Bruce needs no introduction as the lead vocalist of Cream – who wrote a lot of their
material, including one of the world's best-known rock guitar riffs in ‘Sunshine of Your Love’. The duo made two joint
recordings in the early 1980’s, and have again teamed up on record, this time with British drummer Gary Husband -
a member of Gary Moore’s band and the pop band Level 42.

What makes “Seven Moons” such a success is that Bruce and Trower each play to their strengths, Bruce brings his
distinctive croon/moan to bluesy, riff-oriented tunes dominated by Trower's playing. They conjure a Power Rock trio
sound which touches on Cream and Hendrix yet draws from their own deep, dark wells of experience. Indeed it has
been said that “Seven Moons” finds a space that Cream would have occupied had they recruited Hendrix: ballsy,
economical, and confident. Trower, if anything, has toned down his usual space rock style, with some beautifully
understated playing. Bruce's bass remains as it has always been, solid and tasteful, shunning the instrumental
spotlight, whilst Gary Husband's drumming is also subtle, reflecting his jazz experience
To sum it up simply, “Seven Moons” is a spot-on recreation of late-'60s blues-rock's halcyon days....Expertly done.

• 180 grams audiophile vinyl
• Gatefold Sleeve + Lyric sheet

LP1 ‐ Side A
A1 Seven Moons
A2 Lives Of Clay
A3 Distant Places Of The Heart
A4 She's Not The One
A5 So Far To Yesterday

LP1 ‐ Side B
B1 Just Another Day
B2 Perfect Place
B3 Last Door
B4 Bad Case Of Celebrity
B5 Come To Me
B6 I'm Home
Transient Design
LEONARD COHEN
GREATEST HITS



1LP Cat No:MOVLP124 Barcode: 0886977455018
Release : 28 / 06 / 2010

‘No-one ever listens to me anyway, I might as well be a Leonard Cohen record’, Neil
once said during an episode of the notorious ‘Young Ones’. This has changed
dramatically. Cohen’s ‘Hallelujah’ has reached the charts several times performed by
various vocalists. Massive sold out concerts and well-known artists like Lou Reed, Bono,
Nick Cave, Antony and Rufus Wainwright paying homage resulted in a huge reappreciation
which led to a whole new generation getting in touch with Cohen’s
impressive repertoire. This album is the perfect anthology of this legend’s career.

LP1 ‐ Side A
A1 Suzanne (3:47)
A2 Sisters Of Mercy (3:33)
A3 So Long, Marianne (5:37)
A4 Bird On The Wire (3:26)
A5 Lady Midnight (2:59)
A6 The Partisan (3:23)

LP1 ‐ Side B
B1 Hey, That's No Way To Say Goodbye (2:54)
B2 Famous Blue Raincoat (5:07)
B3 Last Year's Man (5:57)
B4 Chelsea Hotel #2 (3:05)
B5 Who By Fire (2:33)
B6 Take This Longing (4:05)

• 180 grams audiophile vinyl
• incl. 4-page insert
Transient Design
SHOCKING BLUE
SCORPIO'S DANCE



1LP Cat No:MOVLP118 Barcode: 8712944331462
Release : 28 / 06 / 2010

Shocking Blue was a Dutch rockband from The Hague that was at their peak in the sixties and
seventies and gained major cross-Atlantic success! The band was founded in 1967 and after
recruiting vocalist Mariska Veres they soon became huge. With their single ‘Venus’ they became
the first Dutch band ever to reach the first spot on the American Billboard Hot 100. The band
had a series of subsequent hits but decided to call it a day in 1975. Their influence reached well
beyond their generation: even bands like Nirvana and The Prodigy used Shocking Blue’s ‘Love
Buzz’. Although considered a singles-band, they released a couple of very high quality albums.
One of the best is “Scorpio’s Dance” in many ways: Its cover has been chosen as one of the
most legendary LP covers in Dutch pop history. Our audiophile reissue boasts the original
gatefold sleeve and contains 4 bonustracks that were not available on the original LP editon.

• 180 grams audiophile vinyl
• Gatefold Sleeve
• 4 Bonustracks

LP1 ‐ Side A
A1 Scorpio's dance (First Movement) (0:38)
A2 Alaska country (3:51)
A3 Sally was a good old girl (3:26)
A4 Deamon lover (6:01)
A5 Scorpio's dance (3:41)
A6 Little cooling planet (3:59)
A7 I love Voodoo music (4:00)

LP1 ‐ Side B
B1 Seven is a number in magic (2:56)
B2 Keep it if you want it (2:51)
B3 Water boy (2:31)
B4 Send me a postcard (2:39) *
B5 Mighty Joe (3:12) *
B6 Hello darkness (2:52) *
B7 Pickin' tomatoes (3:19) *
* = Bonustracks

Transient Design
http://farbror-sid.se/home/?p=1339

Venus är den enda sång på Billboards Hitlista som varit på förstaplatsen tre gånger underårens lopp… första gången med Shocking Blue 7 februari 1970, andra gången med Stars On 45, 20 juni 1981… och senaste gången med Bananarama 6 september 1983.

Videon är inspelad 2 dager innan låten gick upp på förstaplatsen på Billboard.

Ovan är citat från Farbror-sid.se! Länk till videon med mycket kända (och grymt bra!) låten Venus finns på länken: http://farbror-sid.se/home/?p=1339

Kul sida med retro i massor!
Transient Design
SADE
LOVE DELUXE



1LP Cat No:MOVLP122 Barcode: 0886977294815
Release : 28 / 06 / 2010

LP1 - Side A
A1 No Ordinary Love (7:22)
A2 Feel No Pain (5:11)
A3 I Couldn't Love You More (3:50)
A4 Like A Tattoo (3:40)

LP1 - Side B
B1 Kiss Of Life (5:52)
B2 Cherish The Day (5:34)
B3 Pearls (4:35)
B4 Bulletproof Soul (5:27)
B5 Mermaid (4:27)

Sade is back. 2010’s Soldier Of Love proved her to be the queen of British NuSoul, and
now Music On Vinyl is re-releasing one of her other gems: Love Deluxe. The album,
recorded in 1992, proves how far ahead she was of her American counterparts Angie
Stone and Erykah Badu. Her calm, oh-so-cool and yet fragile vocals are reinforced by
the minimal arrangements, so we are able to focus on her engaging lyrics filled with
love, heartbreak and compassion.

“Love Deluxe” will be released on high standard 180 grams audiophile vinyl, and
includes Grammy-winning ‘No Ordinary Love’ and hit-single ‘Cherish The Day’.

• 180 grams audiophile vinyl
Transient Design
OUTKAST
“SPEAKERBOXXX/LOVE BELOW”



4LP Cat No:MOVLP091 Barcode:0886976991814
Release: 28 / 06 / 2010

In the beginning there was Outkast, the prolific Hip Hop duo hailing from Atlanta, who made music sound like Soul
Food; fatty, funky, fresh. Then, in 2003, Big Boi and André 3000 released solo-albums under their shared moniker
and named it “Speakerboxxx / The Love Below”, and saw that it was good.

And so did we.

Both albums display the playful experimentation of their two very distinct styles and yet it is still undoubtedly an
Outkast album. Big Boi takes us into a darker, 808-fuelled world of true Hip Hop on Speakerboxxx, while Andre
3000’s eccentricity is given free rein on The Love Below, with pit stops at crooner-Jazz, Soul and Funk.
Together we stand, divided we fall, but Outkast’s “Speakerboxxx / The Love Below” proves that sometimes, one plus
one can make a gazillion.

LP1 ‐ Side A
01 Intro 02 GhettoMusick
(Club Mix)
03 Unhappy
04 Bowtie
05 The Way You Move
(Club Mix)

LP1 – Side B
01 The Rooster
02 Bust
03 War
04 Church (Main)

LP2 ‐ Side A
01 Bamboo (Interlude)
02 Tomb Of The Boom
03 E‐Mac (Interlude)
04 Knowing
05 Flip Flop Rock

LP2 – Side B
01 Interlude
02 Reset
03 D‐Boi (Interlude)
04 Last Call
05 Bowtie (Postlude)

LP3 ‐ Side A
01 The Love Below (Intro)
02 Love Hater
03 God (Interlude)
04 Happy Valentine's Day
05 Spread
06 Where Are My Panties

LP3 – Side B
01 Prototype
02 She Lives In My Lap
03 Hey Ya!
(Radio Mix/Club Mix)
04 Roses

LP4 ‐ Side A
01 Good Day, Good Sir
02 Behold A Lady (
03 Pink & Blue
04 Love In War
G5 She's Alive

LP4 ‐ Side B
01 Dracula's Wedding
02 My Favorite Things
03 Take Off Your Cool
04 Vibrate
05 A Life In The of Benjamin
Andre (Incomplete)
Transient Design
SCREAMING TREES
SWEET OBLIVION



1LP Cat No:MOVLP101 Barcode: 0886977455216
Release : 28 / 06 / 2010

Screaming Trees is considered to be one of the Godfathers of Grunge. Although they
were one of the best ‘Seattle-bands’ of the early nineties, they never achieved the
commercial success of bands like Nirvana, Pearl Jam and Alice in Chains. Founded in
1985, the band had to wait till 1992 for their biggest success, the release of “Sweet
Oblivion”. The song ‘Nearly Lost you’ became the Screaming Trees’ biggest hit after
being featured on the soundtrack of the movie “Singles”. Lead singer Mark Lanegan
started a very successful solo career after the Screaming Trees, working with the likes
of Queens of the Stone Age, Greg Dulli (Afghan Wigs), Isobel Campbell (Belle &
Sebastian) and UNKLE.

Being out of print for years, this 90’s milestone will be finally available again!

LP1 ‐ Side A
A1 Shadow Of The Season (4:33)
A2 Nearly Lost You (4:06)
A3 Dollar Bill (4:33)
A4 More Or Less (3:09)
A5 Butterfly (3:21)
A6 For Celebrations Past (4:08)

LP1 ‐ Side B
B1 The Secret Kind (3:07)
B2 Winter Song (3:42)
B3 Troubled Times (5:19)
B4 No One Knows (5:10)
B5 Julie Paradise (5:05)

• 180 grams audiophile vinyl
Transient Design
CHICKEN SHACK
40 BLUE FINGERS FRESHLY PACKED AND READY TO SERVE



1LP Cat No:MOVLP104 Barcode: 0886977232718
Release : 28 / 06 / 2010

LP1 - Side A
A1 The Letter (4:25)
A2 Lonesome Whistle Blues (3:02)
A3 When The Train Comes Back (3:32)
A4 San-Ho-Zay (3:02)
A5 King Of The World (4:59)

LP1 - Side B
B1 See See Baby (2:22)
B2 First Time I Met The Blues (6:24)
B3 Webbed Feet (2:53)
B4 You Ain't No Good (3:35)
B5 What You Did Last Night (4:36)

Featuring Christine Perfect (better known as the future Christine McVie of Fleetwood Mac) the
British ensemble Chicken Shack offers up a solid set of blues-influenced rock on their 1968 LP,
fully titled “40 Blue Fingers Freshly Packed And Ready To Serve”.

This LP was a promising debut, especially noteworthy for Stan Webb's Freddie King-inspired
guitar playing and Christine Perfect's vocals. Webb does justice to his mentor with two
instrumentals, King's "San-Ho-Zay" and his own "Webbed Feet," and Christine proves the ideal
counterpart: one of the few pianists paying homage to King's longtime collaborator Sonny
Thompson. It remains their finest work; Perfect left the band in 1969 when she married John
McVie of Fleetwood Mac. Pianist Paul Raymond, bassist Andy Silvester, and drummer Dave
Bidwell all left in 1971 to join Savoy Brown.

The album - with a nice spare sound, typical of Mike Vernon's Blue Horizon label- will
be enjoyed again, this time on audiophile vinyl
Transient Design
Är det nån som läser denna tråden? För det tar rätt mycket tid att lägga in alla dessa LP...

Mvh Lasse
Transient Design
FATBOY SLIM
BETTER LIVING THROUGH CHEMISTRY



2LP Cat No:MOVLP111 Barcode: 0886977232817
Release : 28 / 06 / 2010

Originally recorded in less than a week, the fun and moxie will hit you with every beat
of “Better Living Through Chemistry”. Released in 1996, this is the first full-length
album Norman Cook was to release under his successful moniker Fatboy Slim. Fuelled
by his signature Big Beats that would come to dominate the ‘90s dance scene,
sprinkled with Acid House bleeps and squeaks and heavily sample-laced, “Better Living
Through Chemistry” proved to be just the tip of Cook’s proverbial iceberg. After this
release he quickly went on to make hit singles ‘Rockafeller Skank’ and ‘Praise You’, but
on this album we find classics such as ‘Everybody Needs A 303’ and ‘Going Out Of My
Head’, where both Acid House and Triphop influences prevail.
“Better Living Through Chemistry” isn’t just a promise of more to come, it is the
starting point of a journey, and we’re all invited along for the ride.

LP1 ‐ Side A
A1 Song for Lindy (4:49)
A2 10th & Crenshaw (4:17)
A3 Give The Po' Man A Break (5:49)
B1 Going Out Of My Head (5:12)
B2 Everybody Needs A 303 (5:47)
B3 First Down (6:15)

LP2 ‐ Side A
C1 The Weekend Starts Here (6:39)
C2 The Sound Of Milwaukee (6:17)

LP2 ‐ Side B
D1 Santa Cruz (7:30)
D2 Punk To Funk (4:57)
D3 Crenshaw Siren Beats (3:00)

• 180 grams audiophile vinyl from Music On Vinyl
Transient Design
JEFF BECK
BLOW BY BLOW



1LP Cat No:MOVLP107 Barcode: 0886977455513
Release : 28 / 06 / 2010

“Blow by Blow” was Jeff Beck’s 1975 solo album and considered one of his best releases among fans and
colleagues. Former Yardbirds sideman Chris Dreja had predicted in 1965 that Beck's current sound
"...was 1975." In a glowing review on Allmusic, Mark Kirschenmann said that "Blow by Blow ranks as one
of the premiere recordings in the canon of instrumental rock music."

As an all-instrumental album it was a surprising commercial success, with a jazz fusion-like approach
seldom seen on best-selling lists at the time. It was certified gold in 1976.

The album was produced by George Martin and recorded at his own AIR studios. Martin also composed
string arrangements for two of the tracks, ‘Scatterbrain’ and ‘Diamond Dust’. Stevie Wonder returned the
favor of Beck’s work on his 1972 LP “Talking Book”, by playing on “Blow by Blow” and contributing the
song ’Thelonius’.

As a big admirer of fellow guitarist Roy Buchanan, Beck dedicated the track ‘Cause We've Ended as
Lovers’ to him.

LP1 ‐ Side A
A1 You Know What I Mean (4:06)
A2 She's A Woman (4:31)
A3 Constipated Duck (2:48)
A4 Air Blower (5:10)
A5 Scatterbrain (5:40)

LP1 ‐ Side B
B1 Cause We've Ended As Lovers (5:42)
B2 Thelonius (3:16)
B3 Freeway Jam (4:59)
B4 Diamond Dust (8:26)

• 180 grams audiophile vinyl from Music On Vinyl
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